Dave Koz

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Dave Koz's Bio: In a career that spans more than twenty years and a dozen albums, saxophonist Dave Koz has established himself as one of the most prominent figures in contemporary music. But for as noteworthy as his body of recorded work and as entertaining his live performan ces and other past accomplishments might be, Koz finds himself in an era of dramatic and sweeping change where everything once taken for granted is suddenly up for grabs. For Koz – and for all of us in this first decade of the new century – it’s a new da y, full of new challenges and opportunities, and new rules that are still being written.

Koz embraces this era of change – and even the uncertainty that comes with it – on Hello Tomorrow, his debut on Concord Records, released on October 12, 2010. Produc ed by Grammy winners John Burk and Marcus Miller (who also appears on most tracks), the album features a diverse army of high-profile guests: Herb Alpert, Jonathan Butler, Brian Culbertson, Sheila E., Boney James, Jeff Lorber, Keb’ Mo’, Ray Parker, Jr., Le e Ritenour, Christian Scott and others. Each of the thirteen tracks – most of them written by Koz and his collaborators, others penned by friends and legends – focuses on being open to new beginnings, and trusting that the future is unfolding in all the ri ght ways for all the right reasons.

“I’m excited to be with a new record label after nearly 20 years,” says Koz, “but it’s reflective of a larger change for me personally, and there’s always some apprehension that comes with big changes. The more people I talk to, the more I realize that there are millions of people with a similar story – the loss of a job in an economic downturn, the end of a marriage, the beginning of a new career, any circumstances that force them to take a step in a different dir ection or reinvent themselves in some way. They’re reaching a certain point where they see a life ahead of them that they never expected. Many of us are at the beginning of a new era, and we’d be wise to embrace it.”

The project has been a guiding force for Koz, and could be the same for longtime fans and newcomers alike. “I made this album partly as a means to help myself through this unfamiliar time,” he says. “Hopefully it could be a tool to help anyone else in a similar situation.”

Music – and more specifically, the saxophone – have been Koz’s primary survival tools since his childhood and adolescence in L.A.’s San Fernando Valley. He started playing as a means to land a spot in his brother’s band, but somewhere along the way, “the saxoph one became my best friend, my most trusted ally, because it enabled me to communicate feelings that I didn’t have the words for. In many ways, it saved my life.”

Hello Tomorrow pushes the reset button for an artist who’s been in the game for two decades , and positions him for the next chapter in a story that’s already multi-dimensional and compelling. “In many ways, I feel like this is the beginning of my career,” he says. “That may sound strange, because I’ve enjoyed a wonderful and blessed career up until now, but I feel like my best days are still ahead of me. I’ve made a Dave Koz record that fans of my earlier work will be able to connect to. It’s still me. It’s not too foreign, but it’s me in 2010, coming from a different perspective that� �s reflective of the times we’re living in and the changes that continue to define this new era.” … Read more