Steve Martin

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Steve Martin's Bio: In the mid-1970s, Martin made frequent appearances as a stand-up comedian on The Tonight Show Starring Johnny Carson. That exposure, together with appearances on HBO's On Location and NBC's Saturday Night Live (SNL) (on which, despite a common misconception, he was never a cast member) led to his first of three comedy albums, Let's Get Small. The album was a huge success; one of its tracks, Excuse Me, helped establish a national catch phrase. His next album, A Wild and Crazy Guy, was an even bigger success, reaching the #2 spot on the sales chart in the U.S. and featured another catch phrase (the album's title), this time based on a Saturday Night Live sketch in which Martin and Dan Aykroyd played a couple of bumbling Czechoslovakian would-be playboys, the Festrunk Brothers. The album ended with a song "King Tut", sung and written by Martin and released as a 45 RPM single during the King Tut craze that accompanied the extremely popular travelling exhibit of the Egyptian king's tomb artifacts; the single reached the top 20 (# 17) in 1978. The song was backed by the "Toot Uncommons" (they were actually members of the Nitty Gritty Dirt Band). The album was a million seller. Both albums won Grammys for Best Comedy Recording in 1977 and 1978, respectively. In his comedy albums, Martin's stand-up comedy was clearly self-referential and sometimes self-mocking. It mixes philosophical riffs with sudden spurts of "happy feet", banjo playing with balloon depictions of concepts like venereal disease. His style is off-kilter and ironic, and sometimes pokes fun at stand-up comedy traditions.

His first feature film appearance was in the musical Sgt. Pepper's Lonely Hearts Club Band, where he sang The Beatles' "Maxwell's Silver Hammer". In 1979, Martin wrote and starred in his first full-length movie, The Jerk, directed by Carl Reiner. The movie was a huge success, grossing over $73 million on a budget of far less than that amount.

The success of The Jerk opened more doors for Martin. Stanley Kubrick met with him to discuss the possibility of Martin starring in a screwball comedy version of Traumnovelle (Kubrick later changed his approach to the material, the result of which was 1999's Eyes Wide Shut). Martin was executive producer for Domestic Life, a prime-time television series starring Martin Mull, and a late-night series called Twilight Theater. It emboldened Martin to try his hand at his first serious film, Pennies From Heaven, a movie he was anxious to do because of the desire to avoid being typecast. To prepare for that film, Martin took acting lessons from director Herbert Ross, and spent months learning how to tap dance. The film was a financial failure; Martin's comment at the time was "I don't know what to blame, other than it's me and not a comedy."

Martin was in three more Reiner-directed comedies after The Jerk: Dead Men Don't Wear Plaid in 1982, The Man with Two Brains in 1983 and All of Me in 1984. In 1986, Martin joined fellow Saturday Night Live veterans Martin Short and Chevy Chase in ¡Three Amigos!, directed by John Landis, and written by Martin, Lorne Michaels, and Randy Newman. It was originally entitled The Three Caballeros and Martin was to be teamed with Dan Aykroyd and John Belushi. In 1986, Martin was in the musical film version of the hit off-Broadway play Little Shop of Horrors (based on a famous B-movie), as a sadistic dentist, Orin Scrivello. The film also marked the first of three films teaming Martin with actor Rick Moranis. In 1987, Martin joined comedian John Candy in the John Hughes movie Planes, Trains & Automobiles. That same year, the Cyrano de Bergerac adaptation Roxanne, a film Martin co-wrote, won him a Writers Guild of America award and more importantly, the recognition from Hollywood and the public that he was more than a comedian. In 1988, he performed in the Frank Oz comedy Dirty Rotten Scoundrels alongside Michael Caine.

Martin starred in the Ron Howard film Parenthood, with Moranis in 1989. He later met with Moranis to make the Mafia comedy My Blue Heaven in 1990. In 1991, Martin starred in and wrote L.A. Story and was a member of the ensemble existentialist tragedy Grand Canyon that were both about life in Los Angeles. In a serious role, Martin played a tightly wound Hollywood film producer trying to recover from a traumatic robbery that left him injured. In contrast to the serious tone of Grand Canyon, Martin also appeared in a remake of the comedy Father of the Bride in 1991 (followed by a sequel in 1995).

In David Mamet's 1997 thriller, The Spanish Prisoner, Martin played a darker role as a wealthy stranger who takes a suspicious interest in the work of a young businessman (Campbell Scott). In 1999, Martin and Goldie Hawn starred in a remake of the 1970 Neil Simon comedy, The Out-of-Towners. By 2003, Martin ranked 4th on the box office stars list, after co-starring in Bringing Down The House and starring in Cheaper By The Dozen, each of which earned over $130 million at U.S. theaters. Both were family comedies.

In 2005, Martin wrote and starred in Shopgirl, based on his own novella. Martin played a wealthy businessman who strikes up a romance with a Saks 5th Avenue counter girl (Claire Danes). He also starred in Cheaper by the Dozen 2 that year. Martin's last work to date was the 2006 installment of The Pink Panther, standing in Peter Sellers shoes as the bumbling Inspector Clouseau. In 2007, he announced on his website that he would likely be starting work on the sequel later in the year. … Read more