Kenny Rogers
With a unique voice and style, Kenny has made quite a name for himself
Booking Fee: Contact us below
Artist Location: United States
IMDb
Wikipedia
Kenny Rogers' Bio:
By now, Kenny Rogers has become such an icon that it's easy to forget how he got there. The songs on 42 Ultimate Hits, bringing together the top songs of his career from the late 60s First Edition years up to his current return to the charts, offers a crash-course reminder that Rogers is a star because he excels at his craft.
Just look at the titles: "Lady," "Ruby Don't Take Your Love to Town," "The Gambler," "She Believes in Me," "Islands in the Stream," "We've Got Tonight," "Buy Me A Rose." Not a ditty among them. Then listen. The sweetly raspy vocals are instantly identifiable as Kenny Rogers - he sounds like nobody else. More importantly, he inhabits each song, making it vivid and tangible. For more than five decades, Rogers has delivered memorable songs, drawing fans among rock, pop, soul and country audiences.
When one singer makes such an indelible mark, that's not mere luck or even simple talent. "I really, really love what I'm doing," Rogers says. "People survive longer if they love what they're doing. Because you just don't quit."
Houston-born Rogers formed his first band while in high school in 1956 and never quit making music from that point on. The rockabilly group, called The Scholars, got a record deal and released two singles that had local success, and led to a performance spot on American Bandstand. Soon afterward, Rogers joined the Bobby Doyle Trio, playing stand-up bass in the jazz band, and appearing on their album. In 1966 he became a member of the New Christy Minstrels, the popular folk group, leaving a year later to form The First Edition with other members of the troupe.
The spotlight started focusing on Rogers when the group got their first hit, "I Just Dropped In (To See What Condition My Condition Was In)." Within a year the band was called Kenny Rogers and The First Edition, and his distinctive voice led the group to both pop and country chart success with "Ruby, Don't Take Your Love To Town," written by Mel Tillis. The double-genre success struck again with "Reuben James," and the group landed their own TV variety show.
In 1974, Kenny Rogers and the First Edition disbanded, leaving Rogers at a crossroads. Disillusioned with the fickleness of the pop world, but not with music itself, he searched for a direction to take his solo career. Impressed by the loyalty of country fans that supported their favorite artists long after they had disappeared from radio, Rogers looked to country. He'd already had some success among country fans with the First Edition and he was drawn to the type of story songs that populated the genre. It was the perfect transition for him. "Love Lifted Me," went Top 20 in 1975, but it was the "Lucille" that shot him into the stratosphere. Tops at country, it also succeeded on the pop chart, was named the CMA's Single of the Year and was certified Gold.
"Daytime Friends," "Sweet Music Man," and "Love or Something Like It" continued his run of success. Then came "The Gambler," a story song so vivid it not only delighted country and pop fans, it also became a TV movie, starring Rogers himself in the title role. The movie spawned four follow-ups, making it the longest running miniseries franchise on television. It started Rogers on a second career as an actor on television and movies, including another TV movie based on one of his hit songs, "Coward of the County." …
Booking info for Kenny Rogers
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Appearance and/or performance fees for Kenny Rogers are determined by a number of factors, including availability, location and date of your event, tour routing schedule, and most importantly, Kenny Rogers's interest in appearing at your event. When contacting us, please be specific about your event details, including your talent budget, so that we can suggest suitable alternatives in the event that Kenny Rogers is not available or isn't a good fit for your event.
Book the Best is the booking agent working on your behalf as an entertainment broker/producer. We do not claim to be or represent ourselves as the exclusive booking agent, booking agency or management for Kenny Rogers, unless specified above. Because we are not Kenny Rogers's agent, we are unable to answer fan club information requests, fan mail, public relations inquiries, or provide direct contact information for Kenny Rogers. We are unable to respond to inquiries regarding entertainers' availability inquiries that do not meet our guidelines.
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