Johnny Mathis

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Booking Fee: Contact us below  Artist Location: United States

Johnny Mathis' Bio: The fourth of seven children, John Royce Mathis was born on September 30, 1935 in Gilmer, Texas to Clem and Mildred Mathis. As a small boy, the family moved to Post Street in San Francisco. It was there that he learned an appreciation of music from his father who taught him his first song, “My Blue Heaven”. At age eight, his father purchased an old upright piano for $25. When he brought it home, it wouldn't fit through the front door. So that evening, Johnny stayed up all night to watch his father dismantle the piano, get it into the small living room of their basement apartment and then reassemble it. Clem Mathis, who worked briefly as a musician back in Texas playing the piano and singing on stage, would continue to teach his son many songs and routines. Johnny ha d proven to be the most eager of the children to learn all about music. He sang in the church choir, school functions, community events, for visitors in their home as well as amateur shows in the San Francisco area.

Johnny was 13 years old when Clem took him to see Connie Cox, a Bay Area voice teacher, who agreed to take on the youngster in exchange for his doing odd jobs around her house. Johnny studied with Connie for six years learning vocal scales and exercises, voice production, classical and operatic skills.

At George Washington High School, Johnny was known not only for his singing ability but his athleticism as well. He became a star athlete on the track and field team as a high jumper and hurdler and played on the basketball team.

In 1954, Johnny enrolled at San Francisco State College with the intention of being an English and Physical Education teacher. While there, Johnny set a high jump record of 6’-5 1/2”. This is still on the College’s Top 15 list and was only two inches short of the Olympic record of the time. Just as when he was in high school, Johnny’s name was frequently mentioned in the sports sections of the Northern California newspapers. He was often referred to as “the best all-around athlete to come out of the San Francisco Bay Area”.

A fe llow student, whose sextet was working at the Black Hawk nightclub, brought Johnny in for a Sunday afternoon jam session. It was at the Black Hawk that Helen Noga, co-owner of the club, first heard him sing. She decided that she wanted to manage his career.

I n early September of 1955, Johnny landed a job singing weekends at Ann Dee’s 440 Club. After repeated attempts, Helen convinced George Avakian, then head of Jazz A&R at Columbia, to see him. Avakian came to the club, heard Johnny sing and sent the now fa mous telegram to his record company: “Have found phenomenal 19 year old boy who could go all the way. Send blank contracts.”

Avakian left for New York after telling Johnny that he would eventually send for him. Johnny continued his studies at San Francisc o State and gained additional fame as a high jumper. In early 1956, Johnny was asked to attend the trials for the 1956 Olympic teams that would travel to Melbourne, Australia that summer. At the same time, Columbia Records requested that Johnny come to New Yor k to start arrangements for his first recording session. Clem helped his son decide that his future and best interests were with the recording company. So, Johnny gave up his chance to become a member of the USA Olympic Team. He went to New York to record his first album in March of 1956.

The first album was a collection of jazz oriented renditions of popular standards entitled: Johnny Mathis: A New Sound In Popular Song. It included jazz musicians Gil Evans, John Lewis and Teo Macero and songs like “Angel Eyes , “Easy to Love” and “Babalu”. The album enjoyed only moderate success because jazz vocal albums were not good sellers. Nevertheless, Johnny remained in New York and landed bookings at some of the leading nightclubs such as the Village Vanguard, The Blue Angel and Basin Street East.
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Appearance and/or performance fees for Johnny Mathis are determined by a number of factors, including availability, location and date of your event, tour routing schedule, and most importantly, Johnny Mathis's interest in appearing at your event. When contacting us, please be specific about your event details, including your talent budget, so that we can suggest suitable alternatives in the event that Johnny Mathis is not available or isn't a good fit for your event.

Book the Best is the booking agent working on your behalf as an entertainment broker/producer. We do not claim to be or represent ourselves as the exclusive booking agent, booking agency or management for Johnny Mathis, unless specified above. Because we are not Johnny Mathis's agent, we are unable to answer fan club information requests, fan mail, public relations inquiries, or provide direct contact information for Johnny Mathis. We are unable to respond to inquiries regarding entertainers' availability inquiries that do not meet our guidelines.

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