James Levine

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James Levine's Bio: Conductor and pianist James Levine is one of the powerhouse figures of the classical music scene today. As a child he undertook both piano and the violin; he was so accomplished on the violin that at the age of ten he played Mendelssohn's second violin concert o at a Cincinnati Symphony Orchestra youth concert. He studied piano at various summer music festivals before enrolling at New York's Juilliard School, where he took conducting courses with Jean Morel and continued piano studies with Rosina Lhevinne. Further c onducting studies included work at the Aspen Music Festival and with the American Conductors Project, a program run by the Baltimore Symphony Orchestra, after his Juilliard graduation in 1964.

George Szell of the Cleveland Orchestra then invited him to becom e an apprentice. At the conclusion of this term, he became an assistant conductor of the orchestra from 1965 to 1970. In 1973 he became the music director of both the Ravinia Festival (the Chicago Symphony's summer series) and of the Cincinnati May Festival. H is debut with the Metropolitan Opera Company of New York also came in a summer festival appearance; on June 5, 1971, he conducted Puccini's Tosca.

In 1973, following the sudden departure of music director Rafael Kubelik over artistic differences, the Metropo litan Opera appointed Levine its principal conductor. In 1975 the position was redesignated "music director." Although Kubelik was the first conductor ever to have been given that title at the Metropolitan, he did not remain there long enough to actu ally exercise the wide responsibilities it implies; Levine was effectively the first music director of the Met. In 1986 his position was further expanded to "artistic director," which implies control over all aspects of the stage presentation, not ju st the music.

Levine's tenure at the Metropolitan has been one of the longest such associations between an opera company and its chief conductor, providing the company with one of its greatest and most stable periods. His season planning has been outstanding , and the Metropolitan Opera Orchestra owes its reputation as a world-class ensemble to his leadership.

He began in 1975 to appear regularly at the Salzburg Festival in Austria, where his performances of Mozart were highly esteemed, and proved himself an exc ellent Wagnerian in his appearances at the Bayreuth Festival beginning in 1982. However, his guest conducting availability has been limited: he considers the artistic leadership of the Metropolitan to be a full-time, year-round job. When time allows, he perfor ms as a pianist in chamber music and as an accompanist for singers.

Levine commands a wide repertoire in opera and also in the concert hall, ranging from Bach, Haydn, and Mozart to Iannis Xenakis. He is known for an open and engaging personality which appear s in his rehearsals as well, but this does not prevent him from conducting them with businesslike efficiency. In 1996 the Metropolitan conducted a televised celebration of 25th anniversary of Levine's first performance there in the form of a gala. So many sing ers agreed to appear that the event lasted over eight hours -- conducted entirely by Levine. He has produced a large number of recordings with the Metropolitan Opera and other opera houses, as well as orchestral recordings with the Chicago Symphony and other g reat orchestras. He is also noted as a pianist who has accompanied many of the world's top vocalists and participated in several chamber music recordings. In 2004, Levin became music director of the Boston Symphony Orchestra.

In 2011, after various absences f or health reasons, Levine withdrew from conducting duties with the Boston Symphony Orchestra, although he retained his post as music director of the Metropolitan Opera. … Read more