Burt Bacharach

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Burt Bacharach's Bio: Six decades into one of songwriting’s most successful and honored careers – marked by 48 Top 10 hits, nine #1 songs, more than 500 compositions and a landmark 50+-year run on the charts, Burt Bacharach’s music continues to set industry records and creati ve standards. “At This Time,” his 2005 album, which won the Grammy for Best Pop Instrumental Album, broke new ground with Bacharach’s first-ever lyrical collaborations, supplementing the melodies which reflect the pioneering Bacharach sound. He says it i s the “most-passionate album” of his career as “At This Time” marked the first time Bacharach took on social and political issues in his music.

Bacharach’s global audiences span several generations, and he is viewed as the unique combination of one of the greatest composers of all time and the ultra-cool cult hero of the contemporary music set who often has several songs on various music charts in many countries simultaneously. His many concerts are SRO, as he tours the United States and the world conduc ting orchestras and with his own musicians and singers performing his music. He began 2008 with a tour of Australia and Japan, and is booked at many of the country’s most-popular venues through the next two years.

Along with Bob Dylan, John Lennon and Paul McCartney and Paul Simon, Bacharach is a legend of popular music. A recipient of three Academy Awards and eight Grammy Awards (including the 2008 Lifetime Achievement Award and 1997 Trustees Award with collaborator Hal David), he revolutionized the music of th e 1950s and 60s and is regularly bracketed with legendary names, ranging from Cole Porter to Sir George Martin, as one of a handful of visionaries who pioneered new forms of music from the second half of the 20th Century and continued into the 21st Century.

W hen The Recording Academy awarded Bacharach the Lifetime Achievement Award in February, 2008, he was proclaimed music’s “Greatest Living Composer.”

He began 2008 by debuting a new composition, “For the Children,” an 11-1/2 minute piece he says was i nspired by his earlier concert tour to Australia in 2007. He introduced the music globally with the Sydney Symphony at concerts in January, 2008, and the music was recorded to be part of a new live Bacharach CD “Burt Bacharach Live at the Sydney Opera House� �� for later in 2008. Because his concert tour in Australia and Japan coincided with the ceremony to receive his Lifetime Grammy Award, he was proud to have his three children, Cristopher, Oliver and Raleigh accept on his behalf.

Also new in 2008 are a new CD from Steve Tyrell, “Back to Bacharach.” In 2007, popular Dutch singer Trijntje Oosterhuis recorded two albums of Bacharach songs “The Look of Love: Burt Bacharach Songbook” and “Who’ll Speak for Love: Burt Bacharach Songbook II.”

After six deca des of writing love songs, Bacharach shifted his attention to his indignation over the state of the world in “At This Time.” Collaborating with Elvis Costello, Dr. Dre, Rufus Wainwright, Chris Botti and others, “At This Time” features a 35-piece orches tra performing new Bacharach melodies with his first-ever self-penned lyrics. Bacharach says he wrote the lyrics (many with Tonio K) because “there are things I needed to say.” The album was released in the U.S. by Columbia Records and internationally by S ony BMG, and immediately became a critical success and a 2005 Grammy winner. Two years after its release, it continues to surpass expectations, as the music inspires dialogue about issues important to Bacharach.

A second 2005 Grammy was related to Bacharach, as well. Aretha Franklin’s recording of the Bacharach-David classic, “A House Is Not a Home,” won in the Best Traditional R&B Vocal Performance category.

The composer last produced, arranged and conducted an album of his own songs sung by R&B ic on Ronald Isley, “Here I Am: Ronald Isley Meets Burt Bacharach,” in 2003. With 11 Bacharach/Hal David classics are two songs which marked Bacharach’s first collaborations with Tonio K., the album held spots on the BILLBOARD’s Top R&B/Hip-Hop Album Chart for months after its debut.

“Here I Am: Ronald Isley Meets Burt Bacharach” wasn’t the only Bacharach composition on the charts since 2003. In one week in March, 2004, for example, Bacharach and David had a #1 hit on BILLBOARD’s Hot 100 with “S low Jamz” by Twista featuring Kanye West and Jamie Foxx which sampled the Luther Vandross’ version of “A House Is Not a Home,” a Modern Rock Tracks hit with “I Just Don’t Know What to Do With Myself” by the White Stripes, a Club Play Hit on the d ance chart with Cyndi Lauper’s “Walk On By,” and Steve Tyrell’s “This Guy’s in Love” album continued its run as #3 on the BILLBOARD’s Top Contemporary Jazz Album chart. Bacharach and David enjoyed another top ten hit in November, 2003, when the ir song, “The Look of Love,” was sampled in Ashanti’s “Rain on Me.”

Bacharach has been a special guest four times (including season finale in 2006) on the top-rated television series “American Idol,” with many of his songs performed by the young stars on the show. The finalists of “American Idol” recorded and released a charity single of the 1967 Bacharach classic, “What The World Needs Now Is Love,” that became a #4 hit on the BILLBOARD Hot 100 Singles Sales chart in 2003. Mike Myers conside rs Bacharach his lucky charm, and cast him in all three “Austin Powers” films. He was also a guest artist on ABC-TV’s “Dancing with the Stars” in 2006.

His songs have been recorded by legendary singers, such as Frank Sinatra, The Beatles, Barbra Str eisand, Neil Diamond, Linda Ronstadt, Dionne Warwick and Franklin. Other tributes to the diversity of Bacharach’s music have been paid by, among others, Elvis Costello (“I’ll Never Fall in Love Again” and “God Give Me Strength”), REM, Diana Krall, Barenaked Ladies, Sheryl Crow, Wynonna Judd and Myers.

In December, 2003, Bacharach, Isley, James Ingram and Michael McDonald paired with the ice skating artistry of Brian Boitano, Brian Orser and Nicole Bobek for a “McCormick Presents Burt Bacharach Tribut e on Ice,” an NBC television special.

And the beat goes on… Record company 180 Music released “New Music From An Old Friend” in 2007 featuring two Bacharach songs. Hip-O Select released “Burt Bacharach – Something Big” (Hip-o Select/Universal) i n 2004, while Universal distributed “What The World Needs Now: Burt Bacharach Classics” (A&M/UME), in 2003. The album featured 23 selections of Bacharach’s songs performed by the composer, each digitally re-mastered from the original master tapes, cu lled mostly from his solo albums for A&M. Rhino Records released “The Very Best of Burt Bacharach” in 2001, featuring tracks with artists including Warwick, Dusty Springfield, The Carpenters and Jackie DeShannon. Bacharach enjoyed a top Ten CD in the U .K with the Warner Music International release of “The Look of Love: The Burt Bacharach Collection.” Krall’s 2001 album, “The Look of Love,” garnered widespread critical praise and resided at #1 on the jazz charts for a full year.

There’s more: In 2006, UCLA Student Alumni Association awarded Bacharach its “George and Ira Gershwin Award for Musical Achievement”; and USC awarded Bacharach the USC Thornton Legacy Award for extraordinary achievement in the arts in recognition of his contributions to m usic. In addition, USC created the Burt Bacharach Music Scholarship at the Thornton School to support outstanding young musicians. GQ Magazine presented Bacharach its “GQ Inspiration Award,” in September, 2005. In 2002, Bacharach was a recipient of the Nat ional Academy Of Recording Arts and Sciences (NARAS) New York Heroes Award. Bacharach was also the recipient of the prestigious Polar Music Prize, presented in Stockholm by His Majesty King Carl XVI Gustaf of Sweden, in 2001. PEOPLE MAGAZINE named him one of t he “Sexiest Men Alive” in 2000, and one of the “50 Most Beautiful People” in 1999. Bacharach served as the co-musical director of the 72nd Academy Awards in 2000. Petula Clark, Costello and Warwick all gave performances at a tribute to Bacharach and Da vid at the Royal Albert Hall later in 2000, where the songwriting duo picked up the prestigious Lifetime Achievement Award.

Bacharach’s 1998 collaboration with Costello (“Painted From Memory”) on Mercury Records earned a Grammy Award for the single “I Still Have That Other Girl.”

In April, 1998, TNT launched its highly-acclaimed “TNT Masters Series” with “Bacharach: One Amazing Night,” a special tribute show with many of today’s hottest stars – including Costello, Crow, Judd and Myers – pe rforming his songs. Rhino had earlier released a three-CD Greatest Hits collection in 1998, “The Look of Love: The Burt Bacharach Collection.” In 1997, Bacharach and David received the Trustees Award from NARAS on the Grammy Awards broadcast. He was the su bject of a PBS “Great Performances” biography, “Burt Bacharach: This is Now,” which premiered in 1997.

His music in the 1980s made as much of an impact as his early work. Two of the songs Bacharach co wrote and co produced with lyricist Carole Bayer S ager – “That’s What Friends Are For” and “On My Own” – captured the #1 positions on three of the most prominent year end record charts. Released by Dionne And Friends (Warwick, Elton John, Stevie Wonder and Gladys Knight), “That’s What Friend s Are For” won a Grammy Award and holds a special place in Bacharach’s heart for another reason: the writers and artists involved donated all the proceeds from the song to the American Foundation for AIDS Research, with funds raised exceeding $1.5 million. “On My Own,” recorded by Patti LaBelle and McDonald, was nominated for a Grammy and became the #1 R&B song of 1986.

A third song, “Heartlight” (1982), a collaboration with Neil Diamond was inspired by the film “E.T.,” and Bacharach and Sager later named one of their Eclipse-winning horses Heartlight No. One. Other 1980s hits include “Love Power,” one of the Bacharach-Sager songs written and produced for Warwick’s “Reservations For Two” album; “Everchanging Times,” recorded by Siedah Garrett for the film “Baby Boom”; “Over You,” by Natalie Cole and Ray Parker, Jr.; “Love Always,” by El DeBarge, and “They Don’t Make Them Like They Used To,” a country hit nominated for a Golden Globe, recorded by Kenny Rogers for the film � ��Tough Guys.”

Bacharach might have also been expected to be a good writer, as the only son of the late nationally syndicated columnist Bert Bacharach. From an early age, though, he demonstrated more interest with musical notes than with words. Most of his songs have been collaborations with wordsmiths, including many written with David. That particular pairing resulted in scores of Top 10 records – with Warwick alone – Bacharach and David scored an incredible string of 39 chart records in ten years.

Bachar ach started taking piano lessons while in elementary school. His family had moved from Missouri to New York, where he spent most of his youth. An avid fan of bebop music, Bacharach was influenced by such legends as Dizzy Gillespie and Charlie Parker, two music ians he credits with having a major impact on his career.

After graduating from high school, Bacharach studied at McGill University, the New School for Social Research in New York and Mannes School of Music. His training included music composition with such f amous teachers as Darius Milhaud, Boguslav Martinu and Henry Cowell.

He began his career as a conductor and arranger, and toured widely for three years as accompanist conductor for the legendary Marlene Dietrich beginning in 1958.

As a teenager, he was compo sing songs, and by the late 1950s some of his songs were hitting the charts in performances by artists from different segments of the popular music field. Perry Como had a hit with “Magic Moments.” He wrote a number of country rock classics for Gene Pitney and Marty Robbins. Soon afterwards, he established himself as one of the music industry’s top writer/producers, working with singers like Chuck Jackson and, of course, Warwick.

Although his first love remains writing, Bacharach feels performing is another bonus of his illustrious career. He continues to do scores of concerts around the world each year. He is one artist who will always remain in the limelight no matter what endeavor he pursues. … Read more